Blood and Guts and Ice Cream Dreams

Here is the thing, okay? Coming into a feminist conversation with, “Have you considered that sometimes women acquire free drinks at bars?” is like walking into graduate school during Philosophy finals and saying, “Have you considered that the color blue that I see may not be the color blue that you see?”

Imagine you are the guy who just walked into that Philosophy class and laid that shit down. Imagine the class full of students who have worked very hard and committed themselves and sacrificed to be here, students who have spent several years of their lives learning about this subject. Imagine now their feelings when you go to the head of the classroom with a smirk on your face and demand the professor give you an A for effort. Imagine now that they think you are a douchebag asshole, because they do, and because you are. You are a douchebag asshole because you are obviously so self-centered, arrogant, and completely ignorant of the world around you, that you thought you could walk into a high-level course with no background and no work and say something profoundly simplistic and totally unrelated and also everybody should congratulate you for having done this thing, so brave, so provocative.
[….]
You are not asking us a real question. You are simply illustrating, for all to see, your own ignorance. You are saying, “I have not considered the implications of the question I have just asked. I have not taken the time nor effort nor commitment to sit down and ask myself this question. Instead, I have come into your philosophy classroom/office/feminist blog and shat out my question with a smirk, because I believe that my two seconds of thought are worth more than your long-term analysis, because I believe I am worth more.”

I wanted to make a strong mother character. The portrayal women in epic fantasy have been problematical for a long time. These books are largely written by men but women also read them in great, great numbers. And the women in fantasy tend to be very atypical women… They tend to be the woman warrior or the spunky princess who wouldn’t accept what her father lays down, and I have those archetypes in my books as well.

However, with Catelyn there is something reset for the Eleanor of Aquitaine, the figure of the woman who accepted her role and functions with a narrow society and, nonetheless, achieves considerable influence and power and authority despite accepting the risks and limitations of this society.

She is also a mother… Then, a tendency you can see in a lot of other fantasies is to kill the mother or to get her off the stage. She’s usually dead before the story opens… Nobody wants to hear about King Arthur’s mother and what she thought or what she was doing, so they get her off the stage and I wanted it too. And that’s Catelyn.

[TW: domestic violence]

The other question everybody asks is, why doesn’t she just leave? Why didn’t I walk out? I could have left any time. To me, this is the saddest and most painful question that people ask, because we victims know something you usually don’t: It’s incredibly dangerous to leave an abuser. Because the final step in the domestic violence pattern is kill her. Over 70 percent of domestic violence murders happen after the victim has ended the relationship, after she’s gotten out, because then the abuser has nothing left to lose. Other outcomes include long-term stalking, even after the abuser remarries; denial of financial resources; and manipulation of the family court system to terrify the victim and her children, who are regularly forced by family court judges to spend unsupervised time with the man who beat their mother. And still we ask, why doesn’t she just leave?

Whenever I hear someone talking about how it’s wrong to have sex and sexiness in YA novels, what I actually hear is this:

I’m terrified that the first fictional sex a teenage girl encounters might leave her feeling good about herself. I’m terrified that fictional sex might actually make teenage girls think sex can be fun and good, that reading about girls who say no and boys who listen when they say it might give them the confidence to say no, too – or worse still, to realise that boys who don’t listen to ‘no’ aren’t worth it. I’m terrified that YA novels might teach teenage girls the distinction between assault and consensual sex, and give them the courage to speak out about the former while actively seeking the latter. I’m terrified that teenage girls might think seriously about the circumstances under which they might say yes to sex; that they might think about contraception before they need it, and touch themselves in bed at night while fantasising about generous, interesting, beautiful lovers who treat them with consideration and respect. I’m terrified of a generation of teenage girls who aren’t shy or squeamish about asking for cunnilingus when they want it, or about loving more than one person at once, and who don’t feel shame about their arousal. I’m terrified that teenage girls might take control of their sexuality and, in so doing, take that control of them and their bodies away from me.